Download e-book for iPad: Colonizing the Realm of Words: The Transformation of Tamil by Sascha Ebeling

By Sascha Ebeling

ISBN-10: 1438431996

ISBN-13: 9781438431994

Info the transformation of Tamil literary tradition that got here with colonialism and the stumble upon with Western modernity.

A real travel de strength, this booklet records the transformation of 1 Indian literature, Tamil, lower than the influence of colonialism and Western modernity. whereas Tamil is a residing language, it's also India’s moment oldest classical language subsequent to Sanskrit, and has a literary heritage that is going again over thousand years. at the foundation of intensive archival learn, Sascha Ebeling tackles a number of concerns pertinent to Tamil elite literary construction and intake in the course of the 19th century. those contain the functioning and decline of conventional platforms during which poet-scholars have been patronized by way of spiritual associations, landowners, and native kings; the anatomy of adjustments in textual practices, genres, types, poetics, issues, tastes, and audiences; and the function of literature within the politics of social reform, gender, and incipient nationalism. The paintings concludes with a dialogue of the main notable literary improvement of the time—the emergence of the Tamil novel.

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Additional resources for Colonizing the Realm of Words: The Transformation of Tamil Literature in Nineteenth-Century South India (SUNY Series in Hindu Studies)

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Domination through science meant an attempt to control the bewildering, alien variety of peoples, languages, and behavior patterns which the colonizers initially found on the Indian soil. As Veena Naregal has argued, scientific classification was “the cognitive predilection that the European mind had developed for responding to the unfamiliar” (2001: 44). While it may not be a specifically European strategy, the colonial classificatory program was certainly far-reaching, highly systematic, and potentially all-encompassing.

Bhatia (2004) discusses theater in colonial North India. 15. On Telugu see Leonard (1970), Sai Prasad (1991), Schmitthenner (2001), Vijayasree (2002), Mantena (2002; 2005), Mitchell (2005; 2009), Rajagopal (2004; 2005), Katten (2005), and Velcheru Narayana Rao’s introduction and afterword in Apparao (2007). On Malayalam, see Panikkar (1996), Arunima (1997; 2004), Menon (1997; 2002; 2004), Kumar (2002), and the essays in Ravindran (2001). On Kannada, see Padikkal (1993; 2002), Ramachandran (2001), and Amur (2001).

It is essential for the historian to address the changing ideas of what “literature” might mean to those who produced and “consumed” it, as well as the question of what exactly happened outside its immediate boundaries, what people did with their texts. More specifically for a South Asian context, Sheldon Pollock (2003b) has recently formulated a set of goals and caveats, which anyone striving to reconstruct South Asian literary traditions and practices will have to bear in mind. While no single (and singleauthored) volume can hope to be responsive to all of Pollock’s observations, they help us to recognize and to re-think the chances and limitations of the approaches we choose toward South Asian literary cultures.

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Colonizing the Realm of Words: The Transformation of Tamil Literature in Nineteenth-Century South India (SUNY Series in Hindu Studies) by Sascha Ebeling

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