Download e-book for kindle: Art of RAW Conversion: Optimal Image Quality from Photoshop by Juergen Gulbins, Uwe Steinmueller
By Juergen Gulbins, Uwe Steinmueller
The uncooked dossier layout utilized by electronic cameras is largely the uncooked information digicam captures while it takes a photograph. uncooked documents let the electronic photographer to edit and control their photographs with much less info loss than in different dossier codecs (such as JPEG). there are various uncooked conversion instruments, and it really is frequently a good suggestion to exploit a couple of to get optimum effects. The paintings of uncooked Conversion indicates electronic photographers the right way to paintings with the uncooked records generated by way of a digicam to provide the absolute best photo caliber in accomplished pictures. The authors (both specialists in electronic images, dossier processing, printing, and colour administration) describe the conversion instruments used to augment uncooked records and maximize photograph caliber. All thoughts coated are according to functional adventure and defined with step by step directions, in order that readers might be capable of follow what they examine and create their very own high-quality art-quality pictures. Covers Adobe Photoshop CS and different best uncooked converters.
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Extra info for Art of RAW Conversion: Optimal Image Quality from Photoshop CS2 and Leading RAW Converters
Select your target calibration settings. We recommend these values: l Figure 2-8: Recommended settings for your monitor calibration will take you to the next step. 5. Attach the sensor to your monitor using either the suction-cup (if you are calibrating a CRT) or by attaching the lead weights to your sensor cable and letting them dangle on the backside of the monitor. If you’re calibrating an LCD you may have to tilt the monitor backward a bit, so that the sensor lies ﬂat on the screen. Chapter 2: Basic color management 2-20 l Figure 2-9: Eye-One Display colorimeter 6.
This did not change from ﬁlm to digital. In some ways, over-exposure becomes more problematic in digital as the sensors tends to clip data beyond a certain threshold. This equates to: Never overexpose your photos. In this case, the highlights may be lost and recovery is not possible (though there are some techniques to estimate lost highlight). There is help which only the digital cameras can provide: The cameras provide a way to view the result of the last photograph taken and show a histogram of the grayscale values from 0 (black) to 255 (white).
These settings will be used (by default) by all other CS2 applications, as well. With CS2, the settings may be done in Bridge. Photoshop probably oﬀers the most advanced color management support in any application. For that reason, its color settings show many diﬀerent options and parameters. l Figure 2-14: Photoshop color settings Note: We ignore settings for CMYK and Gray here as we only cover RGB color setup in our workﬂow. 4 Photoshop color and monitor profile settings To begin setting your color management preferences, select EditrColor Settings to open the color setting dialog.
Art of RAW Conversion: Optimal Image Quality from Photoshop CS2 and Leading RAW Converters by Juergen Gulbins, Uwe Steinmueller