New PDF release: African Filmmaking: North and South of the Sahara
By Roy Armes
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Additional info for African Filmmaking: North and South of the Sahara (Traditions in World Cinema)
Cruise O’Brien, Symbolic Confrontations, p. 178. 46. Ibid. 47. Nicholas Awde and Putros Samano, The Arabic Language (London: Saqi Books, 1986), p. 14. 48. Ibid. 49. Viola Shafik, Arab Cinema (Cairo: The University of Cairo Press, 1998), p. 83. 50. Kenneth W. ), The Marabout and the Muse: New Approaches to Islam in African Fiction (Portsmouth, NH and London: Heinemann and James Curry, 1996), p. xxiii. 51. Mahmoud Ben Mahmoud, cited in Michel Amarger, M’Bissine Diop and Catherine Ruelle, ‘Islam, croyances et négritude dans les cinémas d’Afrique’, Paris: Africultures 47 (2002), p.
11. 52. Maquet, Civilisations, p. 171. 53. Oliver, The African Experience, p. 304. 54. , p. 303. 55. Jean François Troin, Maghreb Moyen-Orient: Mutations (Paris: Sedes, 1995), p. 217. 56. Oliver, The African Experience, p. 283. 57. Roland Pourtier, Villes Africaines (Paris: La Documentation Française, 1999), p. 1. 17 AFRICAN FILMMAKING 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 18 Troin, Maghreb-Moyen Orient, p. 218. Oliver, The African Experience, p. 304. Fanon, The Wretched of the Earth, p.
In the Maghreb, feature filmmaking began in Algeria in 1965 with Ahmed Rachedi’s masterly documentary Dawn of the Damned/L’Aube des damnés, which was quickly followed by eight fictional features in the 1960s, among them Mohamed Lakhdar Hamina’s The Wind from the Aurès/Le Vent des Aurès (1966). Tunisian cinema was inaugurated by Omar Khlifi with the appropriately named The Dawn/L’Aube (1966), and three further Tunisian features were made in the late 1960s. Morocco followed with three features – all produced by the state film organization, the CCM – in 1968–9.
African Filmmaking: North and South of the Sahara (Traditions in World Cinema) by Roy Armes